Dead God, by Veil of Thorns

Dead God

by Veil of Thorns

supported by

	/

Digital Album
Streaming + Download

Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.

Purchasable with gift card

name your price

You own this
Subscription

Subscribe now to receive all the new music PANICMACHINE creates, including this release and 106 back-catalog releases, delivered instantly to you via the Bandcamp app for iOS and Android. You’ll also get access to subscriber-only exclusives. Learn more.

Subscribe Now $15 USD/year or more
Full Digital Discography Full Digital Discography

106

releases

Get all 106 PANICMACHINE releases available on Bandcamp and save 50%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Breath of fire, Walk in the Eternity Where All Your Dissipated Dreams Shock, Your Passion Could Swallow The World, Dead-Eyed Imagination, Tomte Jävel!, Petition, Serve Them Toxins, Room of Imagination, and 98 more. , and , .
Excludes subscriber-only releases.

Purchasable with gift card

$36.16 USD or more (50% OFF)

You own this

	1.	She (Poison Dance) 04:21
	2.	Dead God (Healing Dance) 07:15
	3.	Awakening 07:07
	4.	End of the Beginning 07:29
	5.	Back to the Sun 04:42
	6.	Portrait of the Artist as a Dead Man 03:31
	7.	Daath 09:18
	8.	Left Behind 04:35
	9.	Obsession 06:51
	10.	Dead God (Apocalypsis) 16:10

about

Opening proceedings on this one is a perky pop confection that will probably catch those who have been with us for a while off guard. Dead God consists mainly of a cassette rip of the third Veil of Thorns demo from 1992 that was never released. This opening track shows one immediately what a rock solid bass Cathy Chenoweth delivered in recordings and live. Here appears the many splendored pounding from Ruddy Bitch the Younger for the first time. That Emerson guy, well he moans and wails, on guitar he flails over hill and dale... Final track features a thunderous low-end bass apocalypsis brought by Christopher McClain.

Torrenters, and there have been many of you for these tracks, will notice there's a close match between Dead God and a release called The End of the Beginning. I figured I'd give this one one last go at cleanup on the sound and add in a couple tracks from The Dead God Sessions from the second lineup that aren't alternate versions of tracks from Cafe Flesh. I the result is a more solid experience, though still undeniably lo-fi and different from all other Veil of Thorns offerings.

Few people heard The End of the Beginning this at the time and none heard The Dead God Sessions outside the inner circle and Tiziana from Misanthropy Records. Raw recordings from rehearsal and pre production demos for the debut Veil of Thorns album in 1995. The Dead God Sessions tracks were recorded live in a single take in most cases, using two mikes, placed at either end of a 30’x30’ rehearsal room in Boston. The analog recording was extremely hot, so little compression or noise reduction was done.

Within days of the conclusion of the End of the Beginning recording sessions, Jarrett was gone and Cathy was on her way to New York. Christopher (Dogface) McClain was to step in and Veil of Thorns would start showing a new focus. McClain brought with him a massive bass rig that could raze small towns. In performing the title track live I would stick my head and microphone right in the speaker of the bass cabinet to add that overload of volume to the screaming at the end. Good times.

Already the vocals were less operatic, and there is even a hint of pop songwriting, something that was not to be revisited until much later on Birthed.

-P. Emerson Williams