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VEIL OF THORNS BRINGS THE SOUNDTRACK FOR THE NECROFUTURE WITH VENERATING SKIN
It is the long standing habit of Veil of Thorns to gaze into the abyss of the human psyche until the Abyss imparts its secrets out through their sonic art. Venerating Skin shows how P. Emerson Williams and his community of Necrofuturists will spend the oncoming apocalypse, weaving the chaos of collapse into visions of art.
Concluding a cycle born of meditations on creative consciousness dissolution, desert landscapes and reaching the point where sanity no longer serves one, Venerating Skin comes forth like a transmission of cataclysm endured.
Revolution noise dissolves into static, static into the sight of the flashing, blinding light that weaves into your particles and carries them off into the cold void. The succession of images that gave the illusion of movement go up in an instant. That spark that lit them was the only thing ever to illuminate them.
After the inferno, the ever-lasting cold.
About Veil of Thorns:
Veil of Thorns is an ever evolving concept born of the fevered brain of P. Emerson Williams. Among the growing list of collaborators one can find authors, actors and musicians of many genres, reflecting the scope of what P. Emerson Williams calls Necrofuturist art.
Veil Of Thorns are beyond anything you have experienced and combines so much to make quite a unique sound. - Culture Asylum Magazine
Just when you have become used to experiencing your guitar stimulants, your ethereal relaxants, your electronic placebo, along comes Doctor Thorns, like a knight in deliberately ill-fitting armour and bellows ‘No more!’ causing all patients to fall from their beds. Where a lot of old-school Industrialists make deliberately obscure, ugly amateurish trash and new Industrialists churn out whatever club-friendly sounds they hope will land them a big record deal, there are some artists wading sternly through the same muddy waters with more artistic sensibilities. Veil Of Thorns may make threatening music but it is not without gentler asides, and often presents itself in alluring form. - Mick Mercer
released June 21, 2019
Aidan McGoran - Guitars
P. Emerson Williams - Vox, Guitars, bass, synth, cello
Ruddy Bitch – Drums